But treating space-time as a material fabric is itself a category error. It takes a symbolic architecture — a relational geometry encoding possible alignments of phenomena — and reifies it into a thing. In effect, the map is mistaken for the terrain.
Relationally, “space-time” is a theory of ordering, a system of constraints on how events can co-instantiate. To call it a substance collapses that systemic potential into an imagined material essence. It suggests that, absent “space-time,” nothing can exist, as though existence depended on a background stuff rather than on symbolic construals that bring phenomena into being.
The effect is to naturalise what is in fact a theoretical construction. By speaking of “ripples of space-time” as though they were waves on a pond, the discourse hides the cut that instals geometry as the language of gravitational relations. The metaphor smuggles ontology into physics, turning a relational ordering into a physical medium.
From a relational ontology standpoint, space-time is not “out there” as a fabric. It is a semiotic system — a construal of potential alignments. To ask whether space-time itself is “real” in the sense of substance is to fall into the very mirage this metaphor creates. What is real are phenomena as construed within a symbolic frame, not a hidden medium beneath them.
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