Yet the Big Crunch metaphor is misleading. It assumes the universe is an object capable of turning around in space, a container whose boundaries can move inward. It imagines expansion and contraction as literal motions in a pre-existing arena. Relationally, there is no “space” into which the cosmos expands or contracts; there is only the network of relations between phenomena, unfolding in concert.
Collapse, in this sense, is not a literal event. It is a reconfiguration of relational potential, a shift in the patterns that define how distances, durations, and interactions are measured. What appears as contraction is merely a different relational metric emerging from the system itself.
The Big Crunch is a story of drama, but not of ontology. The universe does not reverse like a film reel. It reshapes its relational fabric, but it never “falls” into anything outside itself. The metaphor of implosion seduces with imagery but blinds us to the relational nature of cosmic change.
The universe does not crunch; it realigns — a web of relations, never a thing collapsing.
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